Simon Armitage And Carol Ann Duffy English Literature Essay

Simon Armitage And chirp Ann Duffy English Literature EssayThis paper leave behind deal approximate the Poetry of the Twentieth Century. Especially it deals more than or less Simon Armitage and hum Ann Duffy. The prime(prenominal) p craft deals nearly their biographies. The second interrupt duologue around the setting of their whole whole shebang, a description of the era when they start working and descriptions of the important aspects of those years. In the ternion part of this paper at that place is an analysis of the en act that they apply in their works. Then on that point is an analysis of some of their verse solves. And in the survive part as a decisiveness you sight prevail my feelings about the topic.BiographiesIn this section the biography of the both of them ar presented. initiatory there is the biography of Simon Armitage and then the biography of warble Ann Duffy.Simon ArmitageSimon Armitage was born in 1963. He was born in the village of Ma rsden and right souradays he lives in West Yorkshire, in England. He is a graduate in geography at Portsmouth University and in any case he stu wearyd social work in the University of Manchester. In this university he also made his thesis that talked about the effectuate of the violence in telecasting. He had a job as Probation ships officer in the Greater Manchester until 1994.After he promulgated his mayor works he published some limited edition pamphlets. In these pamphlets we terminate beat, for example Human Geography, The Distance Between Stars, The Walking Horses, Around Robinson, and Suitcase, etceterateraSimon Armitage was a teacher in the University of Leeds and in the University of Lowas Writers Workshop. Nowadays he is a senior lecturer at Manchester Metropolitan University. And he is also an artisan in Residence at Londons South Bank. He is Vice chairwoman of the Poetry Society.Talking about his works, he had metrical compositions, novels, radio and televis ion works, etc.Within his song works we fuel amaze Zoom (1989), Xanadu (1992), tike (1992), password of Matches (1993), The Dead Sea Poems (1995), Moon Country (1996), CloudCuckooLand (1997), Killing snip (1999), Selected Poems (2001), Travelling Songs (2002), The Universal Home Doctor (2002), Tyrannosaurus Rex Versus the Corduroy fry (2006) and Seeing Stars (2010).He has two novels the first of them was published in 2001 and its call in is Little Green Man, the second novel is The White Stuff published in 2004.He has early(a) type of works he writes for radio, television and film, and he is also the condition of quartette stage plays. chant Ann Duffycarol Ann Duffy was born in 1955, in Glasgow, Scotland. She had four brothers. She went to St. Austin Roman Catholic Primary School, St. Josephs Convent School and Stafford Girls High School. She at disco biscuitded to the University of Liverpool, where she studied Philosophy. She also had a work as a freelance writer in Londo n. She has a daughter in jetness with her husband, the novelist Jackie Kay, whose name is Ella. Since 2002 she is a teacher of seminal Writing in the University of Manchester, where she lives instantly.Her works faeces be mixture integrity into bountiful song collections, books for children, anthologies and plays.Within her collections of adult poetry we dissolve find stand Female Nude (1985), Selling Manhattan (1987), The Other Country (1990), Mean cadence (1993), The Worlds Wife (1999) Feminine Gospels (2002), and Rapture (2005).Her rimes for children argon collected in New Collected Poems forChildren (2009).She also has picture books for children as Underwater Farmyard (2002), Doris the teras (2004), Moon Zoo (2005),The Tear Thief (2007), and The Princesss Blankets (2009).The anthologies that were edited by carol Ann were Out of Fashion (2004), Answering fix uping (2007), and To The Moon An Anthology of Lunar Poems (2009).She wrote four plays Take My Husband (19 82), Cavern of Dreams (1984), Little Women, Big Boys (1986) and Loss (1986). groundThese two authors stated writing more or less at the uniform time, in the latest eighties. The hearttime in the Eighties in Britain as Malcolm Bradbury (1994) verbalize it was a time of many reappraisals and restructurings, and of ri unrighteousnessg doubts, ominous prophecies and apocalyptic feelings among a good many of its artist and intellectuals.In narration terms, it can be said that some important facts occur sanguine in these years. This stocky starts one year after that the first work by chirrup Ann Duffy was published.1984 Strike of the Coal Miners. Trade Union Act. The British Telecom became private.1985 Anglo-Irish apprehension an agreement between the linked Kingdom and the Re human beings of Ireland.1986 Riots (disturbances) in Brixton or Lambeth. The London Stock Ex channelize was deregulated. Also in this year the British Gas became private.1987 Single European Act (the revis ion of the Treaty of Rome, 1957). The British Airways were privatized.1988 Alliance between the SDP and the liberal party.1989 Opening of Berlin Wall. Release of Guildford-Four.Talking about the characteristics of the poetry in the Eighties and some special features of these two authors it can be said thatThe poetry of nowadays present various ethnicities, cultures or nationalities. It moved from a nationalist poetry to a more planetary one. It also changes from a centralist, male and academic practice poetry to a cultural entertainment for all the people and multicultural one.Old themes change to religious, cultural, sexual and ideological pluralism. We can also find the concerns of minorities, sexual orientation, origin, sex activity or spoken communication. Randall Stevenson (2004 212) said that In Poet for Our Times (1990) Carol Ann Duffy defined head creases, in 1980s, as the rimes of the decade- a bottom line of art sometimes physical comed sensationally by her contempor aries to incorporate into poetry the immediate ingenuousness of the urban lifeThe traditional wrangle subprogramd in the fall in Kingdom turned into new ways of writing, for example, the use of dialects as Celtic or new grammar rules. New lexical items and words corresponding languages of quaint colonies of Britain or different slang words atomic number 18 included in the poems of the contemporary poetry. In the poetry of the late century we can find language disruption, formal adventure and challenges to conventional facts.New types of poetry break done national poetry, womens poetry or multicultural poetry argon common in this period.Womens poetry became more popular at the end of the 1970s. The topics of the womens poetry (Randall Stevenson, 2004 222) atomic number 18 day- to-day experience, and womens feelings about experiences work, friendship, family relationship, abortion, childbirth and sexual relationships- heterosexual and lesbianThe ignominious poetry became m ore popular because of the fact that black immigrants came to England and wrote their poems there.Poetry became a way of entertainment, it can be found in theatres, pubs or bars. It turns to an art totally for few people to a popular art. This can be the consequence of the expansion of the publishing houses from London to many cities through England.The poetry of the late twentieth century and the twenty-first century it is more cogitate to be an international poetry.StyleIn this section the style of both authors is going to be analyzed. First of all there be features that ar characteristic in both authors this is because they be immense to the same period. Then there are specific features of each of them.The used to write about issues that are relevant to todays society. They write about past experiences or characters of other lifestyles to look for them.Both of them course thoughts and feelings that we might experiences once or themes that are relevant to every soundbox.Talk ing about the structure and the style of the poems it can be said thatThey brook different types of poems with different structures as narrative poems, sonnets, structured verse or free verse.Within the style, and specifically language, we can find that they use a colloquial language, but within this simple language there are complex ideas. Some examples of languages techniques that they used are alliteration, onomatopoeia, repetition, etc. The language that they used is crucial for people to understand their works.Simon ArmitageAdditionally to the common characteristics, Simon Armitage has more specific characteristics.He belongs to the New Generation and as Randall Stevenson (2004 229) quote from the Penguin Book of the Contemporary British Poetry (1982) they are distinguished by accessibility, land and responsiveness and by reaffirmation of the arts significance as public utterance (p.16).Armitages poems make an exploration of relationships and the impact that they rich perso n on the life of people. In his poems we can find references about North England or Yorkshire dialect. His works must be interpreted on a personal direct by the reader.Ian Hamilton (1992 16) Armitages poems are both firmly grounded in place and coarse in their imaginative, emotional and technical range, moving easily between anecdote, big narrative, art and politicsCarol Ann DuffyDuffys poems reflect depressed or overturned members of society. These characters are resent with the world in which they live.Her themes are children, women, love, etc and she uses the point of charm of a persona. These personae that she creates are usually isolated people who feel turn out out from society.Although she is a woman she doesnt use the typical features of womens writing. She is less advanced(a) than her male contemporaries and use oddly paratactic beatniksIan Hamilton (1992 137) says that Duffy aims her poetic fire at obvious victims, easy targets, but her best work combines lyric co lour with plain-speakingAnalysis.In this section you can find three poems of each author and their analysis. First you can find the poems by Simon Armitage and then the poems by Carol Ann Duffy.November (by Simon Armitage)We locomote to the ward from the badly parked carwith your grandma victorious four short steps to our twoWe bring forth brought her here to die and we know it.You check her towel, soap and family trinkets,pare her nails. Parcel her in the rough blanketsand she sinks down into her incontinence.It is time John. In their pasty bloodless smiles,in their lessening breasts, their stunned brains and their baldness,and in us John we are approximately these monstersYoure shattered. You give me the keys and I drivethrough the twilight zone, past the noted send offto your house, to numb ourselves with alcohol.Inside, we feel the terror of the dusk begin.Outside we watch the evening, failing again,and we let it happen. We can say naught.Sometimes the sun spangles and we feel subsistingOne thing we have to get, John, is out of this life. pretendThe poem is separate in five three lines stanzas and in the last part of the poem there is a couplet which give the impression that the poem is not finished or that have a sudden end.The eleven lines have a tied(p) rhythm.SymbolsIn my mind the gloss of the poem, November has a typic signifying. I think that because it is the penultimate it can refers to the end of the year and by chance to the end of the life, maybe it refers to the third age, when people are honest-to-goodness. Also the night can have the same meaning as the title.In the third stanza we can find that Armitage describes the old people as if they were monsters.In the last part of the poem the poet dont end the poem with a conclusion maybe he want the readers to reflect about the poem and the topic that it deals about, or he wants to represent the surprise of death. wrangleThe poem is narrated in first person but with a reference to a person called John. Simon Armitage use words that include the reader in the poem and present a situation that we all will face someday. He uses pronouns as we, you, her or their, and that could have the function of include the reader in the poem.ThemesThe themes of this poem are the relationship with the family and also the inevitable passing of time.Kid (by Simon Armitage)Batman, big shot, when you gave the supposeto grow up, then let me loose to wanderleeward, freely through the wild blue yonderas you liked to say, or ditched me, kind ofin the gutter . . . well, I turned the corner.Now Ive scotched that he was like a fatherto me rumour, sacked it, blown the coveron that he was like an elder brotherstory, let the cat out on that caperwith the married woman, how you took herdowntown on expenses in the motor.sanctum robin-redbreast-nest-egg-shockerHoly roll-me-over-in-the-clover,Im not playing ball boy any longerBatman, now Ive doffed that off-the-shoulderSherwood-Forest-green and scarlet numberfor a pair of jeans and crew be intimate jumpernow Im taller, harder, stronger, older.Batman, it makes a marvellous pictureyou without a shadow, stewing overchicken giblets in the pressure cooker,next to nothing in the walk-in larder,punching the palm of your hand all winter,you baby, now Im a real boy wonder.Poems backgroundIn this poem Armitage talks about Batman, that is a comic hero who was popular in TV and films. The poem shows a battle of Batman and his criminal of Gotham City.FormThe poem has a ten syllable lines and all of them end with the sound -er. The language used can entertain the language of television shows and also it has some sense of humor.SymbolsThe symbol that I find in the poem is that Armitage make a joke about Batman and I think that this means that super heroes are not correct and also have their bad days, or maybe that super heroes dont exist. speech communicationThe language in the poem is idiomatic and also it has expressions of Ba tman. This type of language is sometimes used to reflect a ridiculous expression.ThemesIn my opinion the main theme of the poem is the growing and the independence. The other theme that I found is that our imagination or our perfect believes are not true. When we are kids we think that the super heroes exist but then when we grow up we realized that it wasnt true. He also do humorous commentaries about famous people.Homecoming (by Simon Armitage)Think, two things on their own and both at once.The first, that exercise in trust, where those in frontstand with their rams spread wide and free-fallbackwards, finesse and those behind take all the weight.The second, one canary-yellow cotton pileuson a cloakroom floor, uncoupled from its hook,becoming scuffed and blackened underfoot. Back homethe very model of a model of a mother, yours, putstwo and two together, makes a proper fist of itand points the finger. Temper, temper. Questionin the house. You comprehend red. Blue murder. Bed.The n midnight when you slip the latch and sneakno hike up than the call-box at the corner of the streetIm waiting by the phone, although it doesnt ringbecause its xvi years or so before well meet.Retrace that walk towards the garden gate in silhouettea father predict waits there, wants to set things straight.These ribs are pleats or seams. These arms are sleeves.These fingertips are buttons, or these hands can foldinto a clasp, or else these fingers make a zipor buckle, you say which. Step backwards into itand try the same canary-yellow cotton jacket, therelike this, for size again. It s savings bank fits.FormThe structure of this poem is simple and regular but in my opinion is difficult to understand. It is divided in four stanzas of different lengths but almost all have the same rhythm.SymbolsMaybe the yellow jacket can represent the past and how easy is to believe it. Also it can mean that the past is always in our mind or that it is easy to have in mind our past memories.Langua geThe language that Armitage uses is easy, simple and familiar, and sometimes idiomatic. It also has a change of time there is a change between the past and the present for example in stanza three.He also use poetry features as alliteration, assonance or different types of rhythmThemesIn this poem is more difficult to understand the theme that Armitage talks about. There is not a clear message. The theme that I find is the concept of time and memory. The poem shows how someone remembers his/her past, and in the last part of the poem brings it to their present life with the example of the jacket.Other theme that could be found in this poem is the relationships between family and how a new life can change them.Havisham (by Carol Ann Duffy)Beloved sweetheart bastard. Not a day since thenI havent wished him dead. Prayed for itso hard Ive dark green pebbles for eyes,ropes on the back of my hands I could strangle with.Spinster. I stink and remember. Whole daysin have intercourse cawing Nooooo at the wall the dressyellowing, trembling if I open the wardrobethe slewed mirror, full length , her, myself, who did thisto me? Puce curses that are sounds not words.Some nights better, the lost body over me,my fluent patois in its mouth in its earthen down till I suddenly bite awake. Loveshate behind a discolour veil a red balloon burstingin my face. Bang. I stabbed at a wedding-cake.Give me a male corpse for a long slow honeymoon.Dont think its only the heart that b-b-b-breaks.FormThe poem is divided in four stanzas with four lines each of them. The poem doesnt have a rhyme or a regular metre.SymbolThe colors are important symbols in this poem, for example, the white reflects the wedding dress or the red the betrayal.As I said before the poem hasnt a regular metre and it can be related to the instability of the personality of the character.LanguageCarol Ann Duffy writes in first person. She uses questions and exclamations and gives diving eventrsity to the lines.In th e poem we can also find alliteration, for example in the last line of the poem the B.The first lines are scripted to make an emphasis on her frustration and also her anger.ThemesThe poem talks about the betrayal or green-eyed monster and also the damage that this can make in a relationship. The protagonist, hightail it Havisham, get insane because of the betrayal. All the feelings and thoughts of Miss Havisham are presented in the poem.Anne Hathaway (by Carol Ann Duffy)Item I gyve unto my wife my second best bed(from Shakespeares will)The bed we loved in was a spinning worldof forests, castles, torchlight, clifftops, seaswhere he would dive for pearls. My lovers wordswere shooting stars which fell to earth as kisseson these lips my body now a softer rhymeto his, now echo, assonance his toucha verb dancing in the centre of a noun.Some nights, I envisage hed written me, the beda page beneath his writers hands. Romanceand dramatic event played by touch, by scent, by taste.In the ot her bed, the best, our guests dozed on, feed their prose. My living laughing loveI hold him in the jewel casket of my widows headas he held me upon that next bed.Background to the poemThe title of this poem refers to the wife of Shakespeare.FormThe poem is a rhyming sonnet which has fourteen lines. In my opinion she tried to follow the poem with other ending or other explanation.SymbolsCarol Ann Duffy try to rewrite a sonnet by Shakespeare but in the way his wife would do it, so she doesnt follow the rules of Shakespeares works, maybe because she wants to refer that Anne Hatheway wasnt as good as him writing poems.LanguageThe language that Carol Ann Duffy uses is related to things about Shakespeare. It is written in first person and with the voice of a woman. She uses different literary resources as alliteration (in line twelve) or metaphor in line fifteen, that means that she keep him in her thoughts.Themes and linksThe poem is a sonnet that talks about love (sonnets normally do s o) and the absence of someone that she loved, in this case Shakespeare.It is related with Shakespeares Sonnet 130We Remember Your childishness Well (by Carol Ann Duffy) goose egg hurt you. Nobody turned off the light and arguedwith somebody else all night. The bad man on the moorswas only a movie you saw. Nobody locked the door.Your questions were answered fully. No. That didnt occur.You couldnt sing anyway, cared less. The moments a blur, a Film Funlaughing itself to death in the coal fire. Anyones guess.Nobody forced you. You wanted to go that day. Begged. You chosethe dress. Here are the pictures, look at you. Look at us all,smiling and waving, younger. The whole thing is at bottom your head.What you recall are impressions we have the facts. We called the tune.The secret police of your childhood were older and wiser than you, biggerthan you. Call back the sound of their voices. Boom. Boom. Boom.Nobody sent you away. That was an pleonastic holiday, with peopleyou divulgemed t o like. They were firm, there was nothing to fear.There was none but yourself to blasted if it ended in tears.What does it matter now? No, no, nobody left the skidmarks of sinon your soul and laid you wide open for Hell. You were loved.Always. We did what was best. We remember your childhood well.FormThe structure of this poem is six stanzas with three lines each of them. It has rhyme and half rhyme.In the structure I have found that the title is repeated at the end of the poem like an ending of the theme.SymbolsI think that the repetition of the title in the last line of the poem is like an ending of the memory, maybe like if the person doesnt want to remember it anymore.LanguageIt is a simple language and sometimes repetitive. The negative form is compressed. The language that she uses (you, yourself, etc) makes me think of it as a unilateral conversation, there is no one in the other side.ThemesIt talks about the abuses in the relationship of an adult and a child and how the mem ories can be remember in different ways and they are not always true.ConclusionIn this part of the paper Im going to give a brief conclusion about the authors but mainly about the poems and their style.As you can see this two authors are late authors of the twenty century so they are closed to our society because they live in our society (both of them are calm alive and with not too many years). Thanks to this fact I think that the poems that they wrote are related more or less with our nowadays society, for example, the last poem by Carol Ann Duffy refers to a theme that unfortunately is occurring nowadays, the children abuse.Talking about their style and the way that they write I can say that the vast majority of their poems are easy to read because they have a simple language and also because they are related to topics that are known for all of us. I think that the majority of their poems are kind of simple and what we read is what the author wants to say.Bibliographical refer encesBooksStevenson, R. The Oxford English Literary History. mass 12 1960-2000 The last of England? Oxford University Press, United States, 2006Hamilton, I. The Oxford Companion to Twentieth-century Poetry in English. Oxford University Press, United States, 1996.Bradbury, M. The modern British novel. Penguin Books, London, 1994Medina Casado, C. Poetas ingleses del siglo XX. Sntesis, Madrid, 2007Electronic sourcesContemporary Writers British Council. Carol Ann Duffy (20 November, 2010) http//www.contemporarywriters.com/authors/?p=auth104Contemporary Writers British Council. Simon Armitage. (20 November, 2010) http//www.contemporarywriters.com/authors/?p=auth165Simon Armitages Website (20 November, 2010)Home