Southern Musical Tradition and the African Tradition Essay -- Music Mu

grey Musical Tradition and the African Tradition The second major affluent of the southern musical comedy tradition comesfrom the African continent and is the heritage signification of the five millionslaves brought to North America against their will to provide the bug out ofthe labor in the pre-industrial agrarian south. Contemporary discolour, whilenot wholly fateful music by any means, remains largely melanize in terms ofits leading performers and, to a lesser extent, its listening audience. The forerunner of the modern urban blues was, however, almost exclusivelyblack and was whole southern and rural. It was, and is, a music bornout of the nonplus of thralldom and Jim Crow segregation with theirattendant poverty, alienation and suppression. As a musical genre, thisremarkable and durable expression has an enormous relevance for thehistorical outgrowth of southern music in general and the southern blackexperience in particular. Modern blues evolved out of the southern country blues and became anurban phenomenon in the same social, economic and demographic processeswhich urbanized black Americans during the two or three decades prior toWorld War II. Thus, an run of the black country blues provides apotentially fruitful fomite for the study of southern rural culture viz aviz the black experience. At the very least, it provides a means forassessing the perceptions of southern culture which were held andarticulated by a sensitive group of observers -- the bluesmen andblueswomen of the rural south. The extent to which their music wasreceived, popularized and appreciated by their audience provides a broaderlook at the hopes and drea... ...caldevelopment, display quasi(prenominal) structural and thematic content and have,since the 1960s, begun to recognize and celebrate these commonalities. Works CitedChapple, Steve and Reebee Garofalo. throw off and Roll is Here to Pay. Ch icago Nelson Hall, 1977.Elkins, Stanley. Slavery A Problem in American Institutional and Intellectual Life, second ed. Chicago U. of Chicago Press, 1968.Morthland, John. The dress hat of Country Music. Garden City Doubleday, 1984.Oliver, Paul. Savannah Syncopators African Retentions in the Blues. capital of the United Kingdom November Books, Limited, 1970.Smith, M.G. Social and Cultural Pluralism, in Annals of the New York Academy of Sciences 83 (January, 1957)763-777.Van den Berghe, Pierre. Race and Racism A Comparative Perspective, 2nd ed. New York Wiley, 1978.